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Manganese Mottled
Defining Attributes
Most commonly occurs as a fine, buff-bodied ware
covered by a yellowish lead glaze mottled with dark streaks or speckles,
although coarser body fabrics were also produced. Vessels are often tankards
or other table wares, but other forms were made as well.
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Chronology
Documentary evidence suggests that this ware
was being produced in Staffordshire by the mid-1670s. Archaeologists
originally assigned to Manganese Mottled a manufacture range in
Staffordshire of ca. 1680 – 1750, but more recent evidence suggests that
it was still being made at least as late as 1780. In Buckley, Wales, the
production range was at least 1690 – 1720. The peak of popularity for
Manganese Mottled appears to have been during the late 17th
century and the early decades of the 18th
century (Philpott 1985b:52-53; Elliott 1998:30).
Description
Fabric
At least six different fabrics have been identified for Manganese Mottled
ware, but are not described individually here. As a general rule, tankards
and other thin-walled vessels tend to have a compact body ranging from
very pale brown to yellowish pink to grayish buff. Inclusions on these
vessels tend to be rare, but can include small, light or dark particles
of clay, grog, or stone. On larger vessels, the fabric can be quite coarse,
and can range in color from pinkish buff to pinkish orange or reddish
yellow. Unlike the fine wares, laminations of red and yellow clays are
sometimes visible in these pieces. Inclusions are also more abundant in
the larger vessels, and can include large white stones, red-brown grog,
or other light and dark particles (Philpott 1985b:50; McNeil 1989:60).
Glaze
The glaze is generally a yellowish brown, but it ranges from light olive
yellow to very dark red. The fabric color can affect the glaze color,
as can the presence of a red or yellow slip or slurry on some vessels.
For example, a yellow slip can produce a honey-colored glaze. The glaze
tends to be darker in areas where it pools, such as in cordons. The mottles
in the glaze range from dark yellowish red or reddish brown to almost
black. The mottles on vertical surfaces, such as tankard walls, tend to
be streaked, while those on horizontal surfaces are more often speckled.
Both surfaces are generally glazed, although on large vessels the exterior
can be unglazed or only partially glazed. A red or yellow slip is sometimes
applied to larger vessels, although pottery manufactured at Prescot in
Merseyside had a pale yellow slip on the fine wares, not on the coarse
vessels (Philpott 1985b:51-56; McNeil 1989:60).
Decoration
Most Manganese Mottled forms are undecorated. However, drinking vessels
commonly have turned bands or cordons. These often occur just above the
base and/or level with the top of the handle, but they can be found nearly
anywhere on the vessel. Royal excise marks, such as AR and WR, are also
found on drinking vessels (Elliott 1998:30; Gooder 1984:173-181; Philpott
1985b:51).
Form
Among the fine wares, tankards are the most common form, along with mugs
and cups. At the South Castle Street site in Liverpool, the tankards ranged
between 6 cm and 10.5 cm in diameter. Posset pots, puzzle jugs, jars,
beakers, and flat dishes have also been found. Coarse wares include large
bowls and dishes, chamber pots, skillets, pipkins, and other cooking pots
(Gooder 1984:173-181; McNeil 1989:60; Noël Hume 2001:179; Philpott 1985b:50-53;).
Notes
Trace element analysis of a Manganese Mottled sherd
from Liverpool revealed little manganese, and suggested that iron may
have been the main coloring agent. The assumption that manganese was used
is based on 17th century documents, so
the term "Manganese Mottled" may be a misnomer (Philpott 1985b:
54-55).
Various other terms are used to describe Manganese Mottled
ware, including Mottled ware, Staffordshire Mottled ware, and Staffordshire
tortoiseshell lead-glazed ware (Philpott 1985b; Noël Hume 2001).
Although commonly associated with Staffordshire, Manganese
Mottled wares were also made in Yorkshire, Bristol, and various
centers in northwest England, as well as Buckley, Wales. Distinguishing
the origin of individual pieces is very difficult (Dawson 1979:206; Philpott
1985:53).
References
Dawson
1979; Elliott
1998; Gooder
1984; McNeil
1989; Noël
Hume 2001; Philpott
1985b |