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Rhenish
Defining Attributes
A salt-glazed stoneware that comes in two major varieties:
Rhenish brown, a buff to dark gray bodied ware coated with a speckled
brownish slip, and Rhenish blue and gray, a light gray bodied ceramic
often colored with cobalt blue or manganese purple pigments. Both varieties
can be decorated with incised or applied molded relief decorations.
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Chronology
True stoneware was developed in Germany at the end of
the 13th century, and was exported to
England in the 14th century. This trade
with England peaked in the 17th century
(Gaimster 1997:35, 79, 82). The towns of Cologne and Raeren were leading
stoneware production centers in the first half of the 16th
century, and the term "Cologne ware" was popularly applied to
all mottled brown stonewares. By the mid-16th
century, the nearby town of Frechen had replaced Cologne as a pottery
center, and supplanted Raeren as the leading exporter of brown stoneware
to England (Gaimster 1997:193, 209, 225). This trade began to decline
in the mid-17th century, and the development
of English brown stoneware in the late 17th
century greatly diminished the demand for Rhenish brown stoneware. However,
it was still be imported in limited numbers into the 1770s, and production
of brown stoneware continued in Frechen until the mid-19th
century (Gaimster 1997:210-211; Noël Hume 2001:127). Blue and gray stoneware
developed in Raeren in the mid-16th century,
but primary production had shifted to the Westerwald region by the end
of the 16th century. However, blue and gray stoneware continued to be
made in Raeren, and the 17th and 18th
century products of the Westerwald and Raeren are often hard to distinguish.
Although Westerwald products were rarer than the Frechen-type brown stonewares
in England before ca. 1650, by the latter 17th
century, and throughout much of the 18th
century, blue and gray stonewares dominated the English import market
(Gaimster 1997:94, 226, 252). In the Chesapeake region, Rhenish brown
and blue and gray stonewares were in use from the earliest days of colonial
settlement. Although Rhenish brown use declined in the late 17th
century, the blue and gray wares continued to be imported in large numbers
until the 1770s (Gaimster 1997:253; Noël Hume 2001:107). Around 1860,
there was a revival of the Rhenish stoneware tradition, in which the vessels
that had been produced centuries earlier were often imitated. This movement
lasted into the 20th century, and in
fact stoneware is still being made in the Westerwald region today (Gaimster
1997:251, 325; Noël Hume 2001:110).
Description
Fabric
Rhenish stoneware has a hard, impermeable body with low porosity. It can
be partly vitrified, particularly on the blue and gray wares. The paste
of the brown wares is generally coarser than that of the blue and gray,
and can have occasional inclusions. However, it is not as grainy as typical
English Fulham-type brown stoneware. The colors of Rhenish stonewares
range from off-white to various shades of brown and gray. The interior
surface is often a different color than the exterior or the main body.
A dark gray body is common on Frechen vessels (as it was on Cologne products),
but these pieces can range from light gray to buff to reddish brown. Westerwald-type
wares are most often a light gray, but they can also have a buff color.
Rhenish vessels were primarily wheel thrown. The templates used to shape
18th century Westerwald vessels often
left shallow chatter marks visible in undecorated areas near handles (Gaimster
1997:34-35, 208, 216, 220, 256; Noël Hume 2001:106).
Glaze
Rhenish stoneware was salt-glazed. This technique was gradually introduced
in the 15th and 16th
centuries. On Rhenish brown stoneware, a brown engobe or a thinner wash
was added to the surface before firing. On the finished vessels, this
slip appeared in various shades of brown, and was mottled to differing
degrees. This mottling led to the popular name of "tiger ware."
On blue and gray wares, no slip was added (Gaimster 1997:40, 47).
Decoration
Rhenish stonewares are notable for their often elaborate decorations,
with applied molded relief ornaments (sprig molds) being perhaps the most
characteristic element. Other common decorative techniques included incising,
stamping, and rouletting, as well as cordoning around rims, necks, and
bases. Diaper carving and piercing (on double-walled vessels) also occurred.
Applied ornaments came in a wide variety of motifs. On brown stoneware,
one of the most typical was the "Bartmann" face mask, also known
as "Bellarmine" or "graybeard." Bartmann bottles,
which were made from the early 16th century
through the mid-18th century, are quite
common on 17th century Chesapeake sites.
As a general rule, the face mask tended to become more "debased,"
or grotesque or cartoonish in appearance, over the course of the 17th
century. However, high quality and poor quality masks can be found on
contemporary vessels, so this is not a reliable dating marker. Another
common applied ornament motif on Rhenish stoneware was the armorial or
heraldic medallion. These were sometimes dated, but that is not a totally
reliable temporal indicator, as molds could remain in use for a number
of years. On vessels intended for export to England or its colonies in
the late 17th and 18th
centuries, the royal initials "WR," "AR," and "GR"
were often added. Common stamped designs included hearts, circles, triangles,
and floral motifs. On early blue and gray vessels, formal portraits and
full human figures were common, but were disappearing by the second quarter
of the 17th century. In the 18th
century, capacity numbers ranging from 1 to 10 were sometimes stamped
on jugs and drinking vessels. By the second quarter of the 18th
century, the decorations on Westerwald-type pieces were becoming more
schematic, relying on incised foliage, scrolls, and animals, with the
outlines filled with blue pigment. To determine when specific decorative
elements were introduced and later declined, consult the more detailed
references listed below (Reineking-von Bock 1971; Gaimster 1997:37, 40,
106, 210, 252; Noël Hume 1970:282; 2001:118, 126).
Cobalt underglaze paint was typically added to Rhenish
blue and gray stoneware, and occasionally appears on Rhenish brown. Manganese
purple was also used. Cobalt blue coloring was introduced in the second
half of the 16th century. Manganese purple
appears as early as the 1630s, but did not become common until the second
half of the 17th century. Around 1675,
a gray stoneware with no paint was introduced, and remained in production
through the first half of the 18th century.
This is sometimes known as "Höhr
ware," after a village in the Westerwald (Gaimster 1997:225, 252;
Noël Hume 2001:94).
On some Rhenish vessels, pewter or silver lids and ornaments
were attached. Ghost images of these mounts, as well as the lug holes
where they were attached, are sometimes visible on handle sherds (Gaimster
1997:108; Noël Hume 2001:109).
Form
Rhenish stoneware was used primarily for storage, service and consumption,
and sanitary purposes. Among the Frechen-type brown stonewares, globular
bottles and jugs in various sizes are the most common forms found in the
Chesapeake region. Drinking vessels were also imported, as were simple
lozenge-shaped mineral water bottles in the 18th
and 19th centuries. A variety
of Rhenish blue and gray stoneware vessel forms are found on American
archaeological sites. Elaborate panel bottles occur on some of the earliest
sites. Tankards and mugs were introduced after ca. 1650. Chamber pots
became popular at the beginning of the 18th
century, and along with mugs, tankards, pitchers, and jugs are the most
common form on Chesapeake sites. By the mid-18th
century, the rise of English refined earthenware and molded white salt-glazed
stoneware led to a decline in the popularity of Westerwald-type tablewares
among wealthy Chesapeake households, but storage and sanitary vessels
were still used. Other blue and gray stoneware forms include porringers,
teapots and tea bowls, salts, terrines, plates, storage jars, jardinieres,
and figurines (Gaimster 1997:34, 103-104, 252-253: Noël Hume 2001:125)
Notes
Rhenish stoneware was produced in the Rhine River valley
of Germany and the Low Countries. Similar stoneware was also made in other
parts of Germany and Central Europe, but few of these ceramics appear
in North America.
Frechen and the Westerwald were the most common sources
of Rhenish stoneware found in the Chesapeake. Their products have been
found on 16th and 17th
century Native American sites. Rhenish vessels such as Frechen-type Bartmann
bottles and Westerwald jugs have been found in early colonial contexts
at sites like Jamestown and Martin’s Hundred. On most 17th
century Chesapeake archaeological sites, Frechen-type stoneware constitutes
a majority of the Rhenish recovered, at times making up to 80% of the
stoneware assemblage. However, Westerwald-type vessels such as jugs, tankards,
and pitchers are also found in significant numbers (Gaimster 1997:98-103).
References
Gaimster 1997; Gusset
1980; Noël
Hume 1970, 2001;
Reineking-von
Bock 1971
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